Sore Jig

Brain ping pong, strange growths and metallic genitalia.
hokuto-ju-no-ken:

Pictured: The breasts of a breast cancer survivor aggressively thanking the 15,000th guy to reblog a “SAVE THE BOOBIES!” post with a very firm handshake.

hokuto-ju-no-ken:

Pictured: The breasts of a breast cancer survivor aggressively thanking the 15,000th guy to reblog a “SAVE THE BOOBIES!” post with a very firm handshake.

(Source: gifsploitation, via rotting)

Anna May Wong in Piccadilly, 1929

This film!

(via beerssteersandqueers)

irritationknot:

Bilinda Butcher, 1989.

(via suicidewatch)

tasteforthetasteless:

István Sándorfi-

tasteforthetasteless:

István Sándorfi-

(via yeezytaughtme)

This is something that Derrida has taught: if you feel that you’ve acquitted yourself honourably, than you are not so ethical. If you have a good conscience, then you are kind of worthless. If you think, ‘oh I gave this homeless person 5 bucks, I’m great’, then you’re irresponsible. The responsible being is one who thinks they’ve never been responsible enough, they’ve never taken care enough of the Other. The Other is so in excess of anything you can understand, or grasp, or reduce. This in itself creates ethical relativeness, or relation without relation, because you don’t know, you can’t presume to know, or grasp the Other. The minute you think you know the Other, you’re ready to kill them.

Avital Ronell from Examined Life (via ofmyreverberations)

To make things ‘perfectly clear’ is reactionary and stupefying. The real is not perfectly clear.

Avital Ronell (via azevo)

rhizombie:

no words.

EEEEEEEEP!!

YOUR SILENCES WILL NOT PROTECT YOU.

AUDRE FUCKING LORDE (via dallefiamme)

(Source: mollysoda, via space-farer)

In the 101 top-grossing family films…from 1990 to 2004, of the over 4,000 characters in these films, 75% overall were male, 83% of characters in crowds were male, 83% of narrators were male, and 72% of speaking were male. When the American Psychological Association commented on this research, they said, ‘This gross under-representation of women or girls in films with family-friendly content reflects a missed opportunity to present a broad spectrum of girls and women in roles that are non-sexualised.’

Natasha Walter, Living Dolls: The Return of Sexism, pages 69-70, 2010. (via bitemebeautiful)

Bringing this back as people have started reblogging this again and EVERYONE SHOULD KNOW THIS.

(via bitemebeautiful)

(via space-farer)

wehadfacesthen:

“I mean, it used to be so romantic to go to a movie - to sit in a big theater that had a balcony, and boxes, and fabulous gilt trim on the walls, and a big red velvet curtain. Now we go to horrible unadorned grey rectangles where the sound bleeds in from the grey rectangles next door. It’s sad.”
 - Nora Ephron

wehadfacesthen:

“I mean, it used to be so romantic to go to a movie - to sit in a big theater that had a balcony, and boxes, and fabulous gilt trim on the walls, and a big red velvet curtain. Now we go to horrible unadorned grey rectangles where the sound bleeds in from the grey rectangles next door. It’s sad.”

 - Nora Ephron

(Source: artieshaw, via that-50s-girl)


加山又造 月 1983Kayama Matazo moon

加山又造 月 1983
Kayama Matazo moon

(Source: atama-itai, via space-farer)

daddzfunzone:

annimate:

chasingcomics:

The Man Who Lives Alone

My Intro to Comics final about ghosts and love.

CHASE CHASE CHASE IS AWESOME

Woah this owns

(via yeezytaughtme)

artistcandyman:

DREAM WORLD #10
Digitally altered photograph, 2013

artistcandyman:

DREAM WORLD #10

Digitally altered photograph, 2013

(via virteu)